Archive for category: Termin

Life Drawing

Life Drawing

An intensive program to stimulate students’ drawing skills on the subject of nude and figure in relation to space. The content of the course consists in working with the act and the clothed model. Accompanying anatomy and proportion theory trains linear drawing, silhouette analysis and the cubic structure of the human body at different time intervals. This will strengthen the students’ safety and speed in the process of figuration, even from the free imagination.  

Course / Exercise, WS 2018/19
Number of participants: 10 guest seats (total number of participants 20)
Lecturer: Michael Hegewald
Target group: all interested parties (graphic knowledge required, but not compulsory)
Organizer: TU Berlin, master program Bühnenbild_Szenischer Raum
Registration: until October 17, 2018 at Salka Schulz (secretary),
Tel .: 030-314 72-174,
Course start: 6th November 2018


Tue, 06.11.2018, 19:00 – 21:30
Tue, 20.11.2018, 19:00 – 21:30
Tue, 04.12.2018, 19:00 – 21:30
Tue, 18.12.2018, 19:00 – 21:30
Tue, 08.01.2019, 19:00 – 21:30
Tue, 22.01.2019, 19:00 – 21:30

Costs: 84, – € (for 6 dates, only bookable for the entire semester, payment by bank transfer after billing) The receipt of payment is a prerequisite for enrollment / participation in the course.

Materials to be provided: graphite pencils (H-4B) and / or charcoal / black chalk, as well as ink and nibs or fineliner together with drawing board of various quality (from A2) – will be discussed in more detail in the course.

Certificate / Certificate: At the end of the course, upon request, a certificate of participation (certificate) can be issued. Students from other degree programs may receive the course as elective module with 2 credits (for 6 visits) after prior registration with the responsible examination office and submission of the form. A grading may take place after the folder has been issued.

Location: TU Berlin, Studio 484, Master’s Degree Stage Scenery, Ackerstrasse 76, 13355 Berlin, (Access: courtyard 3, staircase H, 4th floor left)

Apply now

Apply now

Applications for our master programme Bühnenbild_Szenischer Raum can be submitted now!

Please find further information on the  postgraduate course or application process and download application guideline here.


  • A portfolio with samples of some of your art works (e.g. projects, fine art, photography, collage, sketches, drawings, etc.)
    We offer portfolio coaching, please contact us for advise or appointments.
  • Documents:
    • Admission application with  Curriculum Vitae, Letter of Motivation
    • Diploma or BA Degree Certificate (photocopy)
    • Confirmation of work experience
    • Applicants whose first language is not German:
      TestDaF (Language certificate “Deutsch als Fremdsprache” minimum 16 points).

We don’t accept digital application, please hand in the application personal (Room ACK 476)  or via post to the following address:

TU Berlin Bühnenbild_Szenischer Raum
z.Hd. Salka Schulz
Ackerstrasse 76
13355 Berlin, Germany

If you have any questions, please contact Salka Schulz for more details.

We are looking forward to your applications. 

Gelb gewinkelt! Bauhausfest Dessau 2018

For this year’s Bauhausfest 2018 entitled “Gelb gewinkelt” (Yellow angled), our students are again designing and realizing scenographic spaces, installations and performances (Lecturers: Claudia Rohner and Franziska Ritter). In cooperation with the Bauhaus Dessau Foundation, the  Architecture program of the TU Berlin, the program for Contemporary Puppetry of the HfS Ernst Busch Berlin and the Inter-University Center for Dance Berlin (HZT) the Bauhaus Festival will take place.

Invitation to Dessau:
Friday, 31. August 2018, 7pm-11pm
Saturday, 1. September 2018, 7pm-1am,
Place: Bauhaus Dessau, Gropiusallee 38, 06846 Dessau
Entrance Bauhaus building: 5 Euro
Information about Bauhaus Festival:

Students: Maria Alejandra Alarcón Bautista, Oliver Burkhardt, Hsin-Ying Ho, Linda Rodenheber

© photos: Franziska Ritter, Florian Kiehl

Consultation appointment

Consultation appointment

We offer individual consultation on your portfolio for your application for the new semester starting in winter 2018/19. Maria Dannecker will answer open questions about the application process or the M.A. programme in general. Please contact Salka Schulz by e-mail for an appointment.

For the application you need to hand in a portfolio with samples of some of your art works: Projects e.g. from the fields of architecture, theatre, scenography, interior and object design, Fine Arts, dramaturgic concepts, photography, collages, sketches, drawings, etc. If necessary: realizations / theatre assistances / costume design / scenic spaces.

The chosen projects of the portfolio should show your interest for stage design and scenography and reflect your personal interests.
The format is free to select (max A0). Originals can be brought to the application interview (they will be returned to you after the application process).

Overview of documents needed for application:

  • Application for admission (“Zulassungsantrag” including Short CV and motivation)
  • Diploma or BA Degree Certificate (photocopy)
  • Confirmation of work experiences
  • Applicants whose first language is not German: TestDaF (Language certificate “Deutsch als Fremdsprache” minimum 16 points).

You can find further information on the  postgraduate course or application process and download application guideline on our website or at our next Information event, which take place at 16th february 2018.

We are looking forward to your application and good luck!

Substanz! Bauhaus Festival Dessau

Colourful! Material Illusion.

For its 20th anniversary, the Bauhaus Festival brings the colourful nature of things into surprising focus. Put in the spotlight and set in motion as players on a stage, they find complete expression in front of us: architecture becomes audible, material becomes dance, walls become permeable, junk becomes music and people, material. In ‘play-spaces’ and productions the annual theme of the Bauhaus Dessau Foundation, ‘Substance’, is realised from a fresh perspective. The Bauhaus Festival thus forms a Gesamtkunstwerk from two evenings of contemporary interpretations of artistry, theatre, music, installation and performance.

In interdisciplinary teams, under the guidance of the lecturers Claudia Rohner and Franziska Ritter, our students have developed and realized eight scenographic projects for this festival. Entirely in the spirit of Oskar Schlemmer, the performance series ‘Substantia – das Licht greifen’ (Substantia – grasp the light) enables the students to experiment with the material and to create illusions in the space between humankind and material. The productions came about in collaboration with the Initiative Neuer Zirkus e.V., the postgraduate course Bühnenbild_Szenischer Raum at the Technical University of Berlin and the Hochschulübergreifendes Zentrum Tanz Berlin (HZT).

Invitation to Dessau:
Friday, 1. September 2017, 7pm-11pm
Saturday, 2. September 2017, 7pm-1am, Festival parade 9pm
Place: Bauhaus Dessau, Gropiusallee 38, 06846 Dessau
Entrance Bauhaus building: 5 Euro
Information about Bauhaus Festival:

Students: Paulina Barreiro, Jakob Blazejczak, Anne-Laure de la Fuente, Anja Dietz, Lukas Kesler, Takaya Kobayashi, Ting-Yi Lin, Eleonora Pedretti, Lana Ramsay, Greta Wolf-Rosenbaum

Photos: Franziska Ritter, Salka Schulz

I land / Island – Master’s exhibition 2017

We warmly invite you to our annual Master’s exhibition!
An archipelago of creative projects. Visionary worlds adrift in a roiling ocean of cardboard and crepe.

The postgraduate course Bühnenbild_Szenischer Raum at the Technical University of Berlin combines two different modes of thinking about dramaturgical space design. Students explore both stage design for plays, musical theater, and dance, as well as scenographic space design for exhibitions, installations, events, and performance. Throughout this two-year course, 19 students have been hard at work on a colorful array of artistic and practical projects.

Ahoy, land ho!

Opening: friday, 14th july 2017, 7 pm – open end
Exhibition: saturday, 15th july 2017, 1 – 6 pm, free entry
Adress: Ackerstrasse 76, 13355 Berlin, Hof 3, Treppe H, 4. Etage
Facebook event

There are exhibitions of the following projects:
“Der Spieler” by F. J. Dostojewski, stage- and costumedesign (mentorship Prof. Kerstin Laube)
“Urfaust” by Johann Wolfgang Goethe, stage- and costumedesign (mentorship Prof.Frank Hänig)
“Il mondo della luna”, opera by Joseph Haydn, stage- and costumedesign (mentorship Stefan Wiel)
“Komme was Wolle”, medial scenography for “Museum für europäische Kultur” Berlin (mentorship Johann Jörg)
„Bauhausfest 2017″, installative scenography at Bauhaus Dessau (mentorship Claudia Rohner)
“Interdisziplinäres Raumlabor”, free works (mentorship Prof. Albert Lang)

Students: Diana Aldana Páez, Greta Bolzoni, Nadja Driller, Carolina Maria Duarte, Mona Marie Hartmann, Ayfer Ezgi Karatas, Dorota Karolczak, Michaela Kirsche, Devin Martini, Eleonora Pedretti, Susanne Quehenberger, Lana Ramsay, Gabrielle-Marie Renard, Philipp Richter, Margaret Schlenkrich, Eric Schumacher, Paula Trimbur, Franziska Waldemer, Susanne Wilk

Exhibition coordination: Miriam Schmidtke

Dialog Extrem 25.4.

“Dialog Extrem” is an unconventional kind of discussion. 40 experts sit at 40 tables and want to chat – with you! This year’s topic: fear.

Tuesday, 25th April 2017, 18:3o until 21:30.
Lichthof – TU Berlin Hauptgebäude, Straße des 17. Juni 135


Fear has many faces – separation anxiety, fear of the future, fear for health and phobia. We are all shaped by the menace of terrorism, extremist character and national crises and it seems as if the feeling of fear takes a new social dimension. At the same time personal senses of security are not linked to facts. Besides,  subjective senses of security deal only little with the facts. What is fear? Is fear changing our view towards society and life in the city? What is the influence of fear in architecture? How do we handle fear? What is the responsibility of media? What is the use of facts when the apparent truth is convincing you more? How many restrictions does democracy tolerate? How much security is needed for a state? What is keeping our society together?

Dialog Extrem 2017 invites you to talk about reasons and effects of the actual tendencies of fear. The event aims to describe the subjects complexity and at the same time to support a sensible and exciting analysis. The audiences can book conversations with experts to different topics about fear. Each conversation lasts 25 minutes. But you have to be careful! There are not a lot of tickets and everybody is listening! The ones who missed buying a ticket for a confidental chat in person with one of the experts, have the chance to listen to the broadcasted talks by headphones on eight different audio-channels. Further information at the Dialog Extrem website and in the last year’s audio-archive.

Our students Paulina Barreiro, Jakob Blazejczak, Francesca Ercoli, Maike Häber, Lukas Kesler and Janina Sieber developed a space for the dialogue on fear.

Supervised by Prof. Kerstin Laube, in cooperation with the faculty of Urban Planning and Development, Prof. Jörg Stollmann/Johannes Dumpe and students of architecture, urban planning and sociology.

(c) photo: Lukas Kesler

Goldberg – Architect of Knowledge

We cordially invite you to the exhibition opening of our latest project realisation with our cooperation partner Technische Sammlungen Dresden:

“Emanuel Goldberg – Architect of Knowledge”
Vernissage: friday, march 10th 2017, 7pm
with a welcoming speech by Prof. Albert Lang, TU Bühnenbild_Szenischer Raum and others
Technische Sammlungen Dresden, Junghansstraße 1-3, 01277 Dresden
Exhibition: march 11th – september 24th 2017

“A chemist by learning, a physicist by calling and a mechanic by birth” – that is how Emanuel Goldberg (Moscow 1881 – 1970 Tel Aviv) described the poles of his varied scientific and entrepreneurial activities in almost all fields of image technology. In Leipzig and Berlin, he explored the basics of photography. In Dresden, he developed novel cameras and apparatuses for the knowledge management of the future. After his violent expulsion from National Socialist Germany, he founded one of Israel’s first technology companies in Tel Aviv.

The exhibition focuses on Emanuel Goldberg’s estate that his family recently gave to the Technische Sammlungen Dresden. The photographs and instruments, writings and drawings, and the remains of Goldberg’s private experimental workshop form the starting point of a search for traces in the prehistory of our information society.

In this exhibition, photographers and filmmakers, artists and engineers, scenographers and students from Berlin and Leipzig present the results of their artistic and experimental
engagement with the ideas and the life of Emanuel Goldberg. Alongside the originals from Goldberg’s estate, photo and film installations, replicas of his perception experiments,
and models of his knowledge machine are on view and can partially be tested.

students TU Bühnenbild_Szenischer Raum:
Carla Satoca Berges, Linda Rodenheber, Greta Wolf-Rosenbaum, Ting-Yi Lin, Bianca Leonie Bauer-Jörg, Susanne Quehenberger, Margaret Schlenkrich, Eric Schumacher, Anne Lewald, Ev-Simone Benzing

cooperation partners:
Institut für Philosophie, Literatur-, Wissenschafts- und Technikgeschichte, Orientierungsstudiengang MINTgrün, Masterstudiengang Maschinenbau, Zentrum für interdisziplinäre Antisemitismusforschung (alle TU Berlin), Faculty of Media and Communication der Bournemouth University, Hochschule für Grafik und Buchkunst Leipzig, TU Dresden and Technische Sammlungen Dresden

music theatre: Rosenkavalier

The scent of pheromones and testosterone in the room was too strong to break through the persian rose oil’s frangrance. The air was stuffy. The clock did it’s rounds. Everybody in the room was trying hard not to look. The din of many voices echoed in the hallway. Right in the traditional rose delivery the postillon d’amour Octavian falls in love with Sophie: an arms dealer and nouveau riche’s daughter, who is already promised to baron Ochs. But times have changed. The Marschallin knows everything. If she could only let go of Octavian and the past…

Students of TU Berlin Bühnenbild_Szenischer Raum cooperated with students of directing of Hochschule für Musik Hanns Eisler to work on excerpts of the opera ‘Rosenkavalier’ (R. Strauss/Hugo von Hofmannsthal). The shows are staged on january 14th and 15th 2017 and are performed by students of singing, coaching and orchestra conduction of HfM Hanns Eisler.

shows: Sat, 14th january 2017, 7pm and sun, 15th january 2017, 5pm
place: HfM – Studiosaal, Hochschule für Musik „Hanns Eisler“ Berlin, Charlottenstraße 55, 10117 Berlin
entrance: 8€ / 5€ reduced
ticket hotline: 0048 (0)30-203092101 (mon-sat 10am-7pm, sun + holidays 12-6pm or online

students TU Berlin (3rd semester):
Diana Aldana Páez, Greta Bolzoni, Nadja Driller, Ayfer Karatas, Dorota Karolczak und Eleonora Pedretti
directing students of HfM:
Sophia Binder, Ruth Asralda Haas, Christoph Clausen, Gabrielė Bakšytė

(c) credit header image: Brooke DiDonato

concert: Schubert’s “Winterreise” | 10th jan ’17

Cordial invitation to
WINTERREISE – song cycle Franz Schubert
Andrea Chudak (soprano) and Lidiya Naumova (guitar)
Tuesday, 10th January, 7.30 p.m.
Location: Studio 484 (Entrance H, 4th floor, left), TU Berlin

Master’s Program Bühnenbild_Szenischer Raum, Ackerstrasse 76, 13355 Berlin
Free entry.

The artists Andrea Chudak (soprano) and Lidiya Naumova (guitar) will present Franz Schubert’s “Winterreise op. 89″ in an unusual orchestration. This song cycle comprises 24 songs, which Schubert composed in the autumn of 1827, a year before his death. The concert is part of the scenography project “Fremd bin ich eingezogen, fremd zieh ich wieder aus”. Lecturer Claudia Rohner embarks with her students on a journey towards Elfriede Jelinek’s „Winterreise“. Based on Franz Schubert’s song cycle, Jelinek’s journey leads her from the current state of our world back to individual events in her own biography. Feeling alienated by the world and her own life, she writes in a polyphonic stream of associations about loss, transience, alienation and loneliness. The result is a very personal piece of work, the starting point for the students exploration of “alienation”.

facebook event
Photo credit: Wolfgang Unger
For further questions please mail to:

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