“A chemist by learning, a physicist by calling and a mechanic by birth” – that is how Emanuel Goldberg (Moscow 1881 – 1970 Tel Aviv) described the poles of his varied scientific and entrepreneurial activities in almost all fields of image technology. In Leipzig and Berlin, he explored the basics of photography. In Dresden, he developed novel cameras and apparatuses for the knowledge management of the future. After his violent expulsion from National Socialist Germany, he founded one of Israel’s first technology companies in Tel Aviv.
The exhibition focuses on Emanuel Goldberg’s estate that his family recently gave to the Technische Sammlungen Dresden. The photographs and instruments, writings and drawings, and the remains of Goldberg’s private experimental workshop form the starting point of a search for traces in the prehistory of our information society.
In this exhibition, photographers and filmmakers, artists and engineers, scenographers and students from Berlin and Leipzig present the results of their artistic and experimental
engagement with the ideas and the life of Emanuel Goldberg. Alongside the originals from Goldberg’s estate, photo and film installations, replicas of his perception experiments,
and models of his knowledge machine are on view and can partially be tested.
“Emanuel Goldberg – Architect of Knowledge”
Vernissage: friday, march 10th 2017, 7pm
with a welcoming speech by Prof. Albert Lang, TU Bühnenbild_Szenischer Raum and others
Place: Technische Sammlungen Dresden, Junghansstraße 1-3, 01277 Dresden
Exhibition: march 11th – september 24th 2017
students TU Bühnenbild_Szenischer Raum:
Carla Satoca Berges, Linda Rodenheber, Greta Wolf-Rosenbaum, Ting-Yi Lin, Bianca Leonie Bauer-Jörg, Susanne Quehenberger, Margaret Schlenkrich, Eric Schumacher, Anne Lewald, Ev-Simone Benzing
Institut für Philosophie, Literatur-, Wissenschafts- und Technikgeschichte, Orientierungsstudiengang MINTgrün, Masterstudiengang Maschinenbau, Zentrum für interdisziplinäre Antisemitismusforschung (alle TU Berlin), Faculty of Media and Communication der Bournemouth University, Hochschule für Grafik und Buchkunst Leipzig, TU Dresden and Technische Sammlungen Dresden