Close

Archive for category: News

Lecture 2. April: CyberRäuber TRANSFORMING THE STAGE – Using VR/AR in classical theatre to create the hyperstage

Lecture 2. April: CyberRäuber TRANSFORMING THE STAGE – Using VR/AR in classical theatre to create the hyperstage

During the last two years the artist’s CyberRäuber have successfully brought theatre experiences, stages and actors into virtual reality. However VR has far broader implications that can help to transform the theatre stage as well as augment acting as we know it today. Building impossible stage sets and merging the physical world with virtual objects and spaces is only the beginning. Giving actors new ways of expression and interaction while transforming the stage will be the topic of this talk.

Lecture: Marcel Karnapke (CyberRäuber)
Tuesday, 2nd April 2019 at 7 pm
Location: TU Berlin, studio 484, Masterstudiengang Bühnenbild_Szenischer Raum, Ackerstrasse 76, 13355 Berlin
Lecture is held in english, free entry
Link Facebook Event 

Today’s virtual and augmented reality technologies are prone to reshape the future of many different areas and trades first and foremost the entertainment industry. In this talk we are going to look at the lessons learned within the last two years of working on concept and examining ideas that have the potential to enhance and transform the theatre stage by utilizing these novel technologies in unconventional ways. Theatre has in a sense always been about creating artificial worlds through the usage of narrative and visions in the form of varying stage sets to give the audience a notion of presence within the play. Building upon these notions we are going to ask what virtual and augmented reality can bring to the table especially when combined with established stage departments like lights, audio or video projection.

Furthermore we are going to talk about ideas that merge the built physical stage set and transform it with the help of these technologies into a shapeshifting plane of possibilities. Lastly we will look at the implications for the actors as well as the directors. We will ask the question, is it possible to bridge the gap between the complexities of the technology to establish an interface for the non-tech-savvy crowd?

Marcel Karnapke lives in Berlin and is developer, lecturer and co-founder of the artist collective “CyberRäuber”, which realizes new formats and applications for Virtual Reality in a theatre context. For Cambridge University (UK) he has developed virtual museums for the dissemination of archaeological research results. This has also resulted in interactive and narrative 3D formats, such as films and virtual reality applications, through which the viewer can experience a virtual 360° experience. In 2017, in collaboration with Schauspiel Dortmund and directed by Kay Voges, the VR play “Memories of Borderline” was created, which was shown both at the Theatertreffen Berliner Festspiele and at Ars Electronica. His work focuses on 3D reality reconstruction in the field of architecture as well as the digitization of complete stage sets of classical theater. New is the full-body recording of performers from the field of dance and the performing arts in the form of VR holography for VR and AR applications. Marcel is the winner of the 3D Guild Award of the International 3D Summit in Liege, Belgium and in 2017 he won the Halo Award in Gold of the VR Days in the category Best 3D VR Animation Film with “Pitoti Prometheus”.

This lecture is part of the workshop “Im/material theatre spaces” by DTHG e.V. (Deutsche Theatertechnische Gesellschaft) within the framework of the project “Theatre Landscape”, supported by the Federal Government Commissioner for Culture and the Media – in the European “Sharing Heritage” Year.

(c) Photo: CyberRäuber

Workshop “Reading spaces – how to build stories in exhibition”

Workshop “Reading spaces – how to build stories in exhibition”

Interdisciplinary workshop open for 5 guest students.

Lecturer: Lila Chitaytat, Tel Aviv
Dates: 25 June to 5 July 2019 compact daily approx. 10 a.m. – 6 p.m.
in English language
Target group: Interested Master students from the fields of architecture, design, communication in space, exhibition, scenography
Recognition as elective subject possible (3 credit points)
Venue:  Studiengang Bühnenbild_Szenischer Raum TU Berlin, Ackerstrasse 76, 13355 Berlin, Studio 484

What role exhibitions play in communicating knowledge? How do people learn in public places? The workshop will offer an intense playfield to examine the diverse methods of spatial storytelling and narrative design for museum, exhibitions and urban installations. Throughout the process we will experiment on the relationships of content and form, of experience and delight, technologies and poetics and of space and body and create a meaningful playful exhibit experience (in models, little installations or mockups). Exhibition design offers us a space to examine the role of technology based design as an additional tool to build multiple narrative spaces. We shall think of experiences as new ways to perceive and communicate knowledge. In this workshop Design thinking and multidisciplinary approaches will offer new ways to communicate complex ideas and knowledge with a wide variety of societies. We will underlay the importance of storytelling, by conceptualizing thematic ideas. By the use of space and interaction, new technologies, graphics, sound and light we can tell very complex stories for historical, scientific, research, temporary or critical exhibitions.
Topics of discussion will include the roles of the museums of tomorrow and the ability of Szenographers to act as agents of critical and multilayered thinkers to create innovativ spaces for narration of the past, the present and the future.

Application by email until 15 April 2019
with CV and short portfolio to: maria.dannecker@tu-buehnenbild.de

For further questions please contact: Maria Dannecker, Tel. 030-31472174

Life Drawing

Life Drawing

We’ve opened our life drawing classes to guest participants!

Our life drawing crash course explores the nude in relation to the space it inhabits and thereby aims to nurture your ability to sketch and see. Working with both the naked and the clothed human form and guided by an understanding of anatomy and proportion, participants practice line drawings, silhouette analysis and cubistic representation of the human form in motion. The aim hereby is to strengthen ones ability to draw quick and confident figurative sketches – also, without a model.

Tutor: Michael Hegewald
Open to everyone interested (previous experience recommended, but not essential)
Number of participants: 5 guests (20 participants in total)

Scheduled dates:
Kursstart: 16. April 2019
Please note the deviations from the 14-day cycle.
Tuesday, 16.04.2019, 7 pm – 9:30 pm
Tuesday, 30.04.2019, 7 pm – 9:30 pm
Tuesday, 28.05.2019, 7 pm – 9:30 pm
Tuesday, 04.06.2019, 7 pm – 9:30 pm
Tuesday, 11.06.2019, 7 pm – 9:30 pm
Tuesday, 25.06.2019, 7 pm – 9:30 pm

Location: TU Berlin, Studio 484
Masterstudiengang Bühnenbild_Szenischer Raum, Ackerstrasse 76, 13355 Berlin
(Entrance: Courtyard 3, Entrance H, 4th floor, left)

Please bring: Graphite pencils (H-4B) and/or charcoal and ink and nibs or fineliner drawing pen and Bristol paper of varying quality (size A2 and above) – details will be discussed at the course.

Fees: 84 euros (Fee payable via invoice at the beginning of the course)

Contact / sign up:
 till 4. April 2019
Salka Schulz (office)
Tel. no.: 030/314-72174. Email: 
salka.schulz@tu-buehnenbild.de

 

MUSEUMSPAVILLION & WISSENSPFADE

MUSEUMSPAVILLION & WISSENSPFADE

Development of ideas and concepts. A cooperation with the presidium of the TU Berlin.

Period: 4 March – 15 March 2019, daily 10 am – 6 pm
Lecturers: Dipl.-Ing. Annette Müller, Dipl.-Ing. Robert Niemann with Prof. Loidl-Reisch
Registration deadline: 18 February 2019, by e-mail to: info@modellunddesign.de
Study courses: preferably architecture, landscape architecture
Credits: Elective, 6 ECTS
Location: TU Berlin (at the course of studies Stage Design_Scenic Space), Ackerstrasse 76, 13355 Berlin, Germany

The model as a means of communication
Modell+Design offers students the opportunity to deal in depth with model design and implementation. Ideas become visible on the basis of models: design and craftsmanship, theory and practice are worked on together. The models take up a clear creative position and communicate what has been thought of both within and outside the discipline. Questions about abstraction, reduction, materiality, materiality, construction and technical implementation are always answered on the model.

The topic
In the coming years, the TU Berlin will have the means at its disposal to restructure the campus behind the main building. The following sub-areas are to be taken into account:

  • Realisation of the second section of Hertzallee
  • Construction of a museum pavilion for temporary exhibitions and for the Mineralogical Collection, one of the 5th largest and most important mineralogical collections in Germany.
  • Development of tourist knowledge paths to open the campus for regional, national and international visitor

During this compact seminar, students of architecture and landscape architecture will jointly develop various design scenarios, which will be made available as a basis for discussion for further planning. The aim is to develop design ideas that integrate the subprojects Hertzallee, Museum Pavilion and Knowledge Paths conceptually, thematically and creatively into a coherent overall concept. The students present their concepts in the form of models. Depending on the concept, models of the entire working area or detailed models can be created. The three-dimensional results of this model building seminar will make a fundamental contribution to concept development.

Download: Seminar announcement MUSEUMS-PAVILLON + WISSENSPFADE 04.03-15.03.2019

OPEN DAY 2019

OPEN DAY 2019

We cordially invite you to our OPEN DAY at our postgraduate course Bühnenbild_Szenischer Raum:

Friday, February 15th 2019
5 to 8 pm
Studio 484  – Ackerstraße  76, 13355 Berlin (courtyard 3, staircase H, 4th floor)

The OPEN DAY provides insight into our profile and application process; with an introductory lecture by the head of study, a tour through our studios and project presentations in stage and exhibition design. We will provide answers to questions concerning the curriculum, compatibility with work and family, career prospects, financing options or networking.

Please contact us in advance for personal portfolio coaching on the day or find further information on the postgraduate course or application process on our website or download an application guideline here.

Application period for upcoming term runs until June 15th 2019!

Please contact  for questions regarding the application process or any other concerns, tel. 0049-30-31472174.

Lecture #2  Form Follows Fiction – Stefan Nowak 11th december

Lecture #2 Form Follows Fiction – Stefan Nowak 11th december

Stefan Nowak (scenographer, project manager)

The variety of forms of everyday life today’s products, whether electric kettles, cars or houses, brims above all by arbitrariness. Everything seems possible! The change from the commodity to the consumer product is also in the linguistic usage – The kettle is still cooking, the car drives and the house is habitable, but the lush shape or the cost-optimized floor plan have nothing to do with the actual function, the external context or the user’s ideas to do. Occasionally, every everyday object required an interface, a button, a lever whose operation generates feedback from the user in order to “understand” the function and the object in the truest sense of the word. Now the products themselves become a fiction: nude black, white or silver boxes respond on demand or are controlled centrally and from any distance by a small luminous box. The lecture by Stefan Nowak sheds light on these developments and asks questions about our handling of products, about past design concepts and ideologies and the connections between functionalism and fiction, design and dogma. In the ongoing seminar of the same name in the master’s program, the topic will be deepened and presented to the public in a studio exhibition.

Date: 11.12.2018 at 7 pm (free entry)
Location: TU Berlin, studio 484, Masterstudiengang Bühnenbild_Szenischer Raum, Ackerstrasse 76, 13355 Berlin
Facebook Event

Stefan Nowak studied perfumery and food technology in London and Lemgo. Afterwards he studied Communications Design at the Hochschule Darmstadt with Christof Gassner and Peter Kornatzki and at the Fachhochschule Düsseldorf with Klaus Hesse und Uwe Loesch. Together with Petra Knyrim is Stefan Nowak since 1994 managing director of the design office nowakteufelknyrim (NTK) an office for communication and exhibition design/scenography in Düsseldorf. nowakteufelknyrim stands out for the permanent exhibtion in the Money Museum of the Deutsche Bundesbank Frankfurt, for the Museum of the bathing culture in Zülpich. They also redesigned the photography and film department at Deutsche Museum and are responsible for innovative controlling – and orientation systems for the city Düsseldorf and the library of  the University of Münster. Since 1996 is Stefan Nowak teaching Information design and Scenography at different Universities such as the Universität Wuppertal and the Hochschule Hildesheim (2016). Stefan Nowak especially has become known by workshops and publications on the subject orientation and communication in space.

© Installation “Truck” by Erwin Wurm, 2015

Lecture #1 Irreal. Real. Egal. – medial stages

With their principle “Irreal.Real.Egal.” Claudia Rohner and Clemens Walter try to design medial stage concepts without visible projection surfaces. Detached from decorative elements, the spectacle suitability of the media stage is in the foreground. Rohner and Walter have been working together in different constellations for many years. Achieving the greatest possible fusion of the scenography and video design disciplines is the goal – if this symbiosis succeeds, media stage spaces with an idiosyncratic stage aesthetic will emerge. Whether and how their attitude flows into the realization and what opportunities and dangers the technically complex equipment in the theater bring with them, they explain on the basis of three selected works. In the process, 2300 meters of LED light strip, thousands of individual modified and built-in LEDs on magnetic plates and a live green screen were used.

Date: 22.11.2018 at 7 pm (free entry)
Location: TU Berlin, studio 484, Masterstudiengang Bühnenbild_Szenischer Raum, Ackerstrasse 76, 13355 Berlin

As a freelance scenographer, Claudia Rohner realized the Museumsnacht in Bern and Expo 02 Switzerland. From 2002 to 2005 she was engaged as a designer at the Deutsches Theater Berlin. She continues to collaborate with director Roger Vontobel (e.g. Deutsches Schauspielhaus Hamburg, Münchner Kammerspiele, Staatsschauspiel Dresden, Schauspielhaus Bochum, Schauspiel Köln, Schauspiel Frankfurt, Théâtre de la Colline Paris, Maxim Gorki Theater Berlin). From 2015 she teaches at the Technical University in Berlin and at the University of Hannover.

Clemens Walter works as a film editor and video artist specializing in theater. Since 2004 he has been producing projections and live videos for plays, working at the Schauspiel Frankfurt, at the Deutsches Theater Berlin and at the Volkstheater in Vienna. Clemens Walter’s theater work includes pre-produced film sequences, animations, live video and 3D projection mapping. He is closely linked to Roger Vontobel. Most recently, he produced the projections for the Worms Nibelungen Festival 2018 for Vontobel, in which the cathedral was for the first time recorded with video.

Photos  © Clemens Walter

Lange Weile

or looking for the empty time

This summer an artistic examination of the topic boredom takes place in the impressive LWL-Industial Museum Henrichshütte Hattingen in North Rhine-Westphalia. Our students have dedicated themselves to the empty time. We expect a talking blast furnace, a labyrinth for summer deceleration, an avant-garde dance performance and a light / sound installation in the depths of the huge blower hall.

Vernissage 15.07.2018 at 11:00 am
LWL Industrial Museum Westfälisches Landesmuseum für Industriekultur Henrichshütte Hattingen,
Werksstr. 25, 45527 Hattingen

Students: Takaya Kobayashi, Victor Treushchenko-Bernhardt, Anne-Laure Jullian de la Fuente, Maike Häber, Ting-Yi Lin (Master students), Amina Nouns, Julius Kirchner (2nd semester)
Mentors: Johann Jörg, Prof. Kerstin Laube

Life Drawing

Life Drawing


An intensive program to stimulate students’ drawing skills on the subject of nude and figure in relation to space. The content of the course consists in working with the act and the clothed model. Accompanying anatomy and proportion theory trains linear drawing, silhouette analysis and the cubic structure of the human body at different time intervals. This will strengthen the students’ safety and speed in the process of figuration, even from the free imagination.  

Course / Exercise, WS 2018/19
Number of participants: 10 guest seats (total number of participants 20)
Lecturer: Michael Hegewald
Target group: all interested parties (graphic knowledge required, but not compulsory)
Organizer: TU Berlin, master program Bühnenbild_Szenischer Raum
Registration: until October 17, 2018 at Salka Schulz (secretary),
Tel .: 030-314 72-174, salka.schulz@tu-buehnenbild.de
Course start: 6th November 2018

Events:

Tue, 06.11.2018, 19:00 – 21:30
Tue, 20.11.2018, 19:00 – 21:30
Tue, 04.12.2018, 19:00 – 21:30
Tue, 18.12.2018, 19:00 – 21:30
Tue, 08.01.2019, 19:00 – 21:30
Tue, 22.01.2019, 19:00 – 21:30

Costs: 84, – € (for 6 dates, only bookable for the entire semester, payment by bank transfer after billing) The receipt of payment is a prerequisite for enrollment / participation in the course.

Materials to be provided: graphite pencils (H-4B) and / or charcoal / black chalk, as well as ink and nibs or fineliner together with drawing board of various quality (from A2) – will be discussed in more detail in the course.

Certificate / Certificate: At the end of the course, upon request, a certificate of participation (certificate) can be issued. Students from other degree programs may receive the course as elective module with 2 credits (for 6 visits) after prior registration with the responsible examination office and submission of the form. A grading may take place after the folder has been issued.

Location: TU Berlin, Studio 484, Master’s Degree Stage Scenery, Ackerstrasse 76, 13355 Berlin, (Access: courtyard 3, staircase H, 4th floor left)

Apply now

Apply now

Applications for our master programme Bühnenbild_Szenischer Raum can be submitted now!

Please find further information on the  postgraduate course or application process and download application guideline here.

Requirements

  • A portfolio with samples of some of your art works (e.g. projects, fine art, photography, collage, sketches, drawings, etc.)
    We offer portfolio coaching, please contact us for advise or appointments.
  • Documents:
    • Admission application with  Curriculum Vitae, Letter of Motivation
    • Diploma or BA Degree Certificate (photocopy)
    • Confirmation of work experience
    • Applicants whose first language is not German:
      TestDaF (Language certificate “Deutsch als Fremdsprache” minimum 16 points).

We don’t accept digital application, please hand in the application personal (Room ACK 476)  or via post to the following address:

TU Berlin Bühnenbild_Szenischer Raum
z.Hd. Salka Schulz
Ackerstrasse 76
13355 Berlin, Germany

If you have any questions, please contact Salka Schulz for more details.

We are looking forward to your applications. 

Go and get grab your copy now!